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FEATURES

news
HighSchool Return To Form With ‘Dipped’
Aug 28, 2025
HighSchool Return To Form With ‘Dipped’
Aug 28, 2025
Aug 28, 2025
Bar Italia Announce New Album ‘Some Like It Hot Out’
Aug 19, 2025
Bar Italia Announce New Album ‘Some Like It Hot Out’
Aug 19, 2025
Aug 19, 2025
Festival Review: Big Smoke Festival
Aug 19, 2025
Festival Review: Big Smoke Festival
Aug 19, 2025
Aug 19, 2025

REVIEWS

Featured
Ethel Cain - Willougby Tucker, I’ll Always Love You Review
Aug 26, 2025
Ethel Cain - Willougby Tucker, I’ll Always Love You Review
Aug 26, 2025
Aug 26, 2025
aya - Hexed! Review
Aug 5, 2025
aya - Hexed! Review
Aug 5, 2025
Aug 5, 2025
The New Eves - The New Eve Is Rising Review
Jul 31, 2025
The New Eves - The New Eve Is Rising Review
Jul 31, 2025
Jul 31, 2025
Tyler, The Creator - DON'T TAP THE GLASS Review
Jul 25, 2025
Tyler, The Creator - DON'T TAP THE GLASS Review
Jul 25, 2025
Jul 25, 2025
Folk Bitch Trio - Now Would Be A Good Time Review
Jul 24, 2025
Folk Bitch Trio - Now Would Be A Good Time Review
Jul 24, 2025
Jul 24, 2025
Kokoroko - Tuff Times Never Last Review
Jul 20, 2025
Kokoroko - Tuff Times Never Last Review
Jul 20, 2025
Jul 20, 2025
PARADE - Lightning Hit the Trees Review
Jul 17, 2025
PARADE - Lightning Hit the Trees Review
Jul 17, 2025
Jul 17, 2025
Lambrini Girls - Who Let The Dogs Out Review
Jul 8, 2025
Lambrini Girls - Who Let The Dogs Out Review
Jul 8, 2025
Jul 8, 2025

START LISTENING TO

start listening to
Start Listening To: Bathing Suits
Sep 1, 2025
Start Listening To: Bathing Suits
Sep 1, 2025
Sep 1, 2025
Start Listening To: Automatic
Aug 29, 2025
Start Listening To: Automatic
Aug 29, 2025
Aug 29, 2025
Start Listening To: Hungry
Aug 27, 2025
Start Listening To: Hungry
Aug 27, 2025
Aug 27, 2025

@StillListeningMagazine On Instagram

Ethel Cain’s Willoughby Tucker, I’ll Always Love You is a sprawling, slow-burning prequel to Preacher’s Daughter, tracing teenage love and heartbreak with gauzy vocals, eerie slowcore textures, and moments of fragile warmth. It&rsqu
aya's 'Hexed!' encapsulates an existential crisis through a night at a grimy club leading to a suburban garage, similar to Burial's portrayal of noughties London malaise. Offering a 21st-century perspective, she acknowledges both the world's and her

NO JUNK, MAYBE SOME PUNK

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